A journey to reckon with Brazil’s harsh inequality begins when filmmaker Denise Zmekhol discovers her father’s architectural masterpiece in São Paulo—a 24-story tall modernist icon known as “Pele de Vidro” (Skin of Glass)—is inhabited by hundreds of unhoused people. But after getting to know these occupants, what started as a personal quest becomes something much bigger.

The show’s own verdict is on its page.