Miniseries

Season 1 · 1971 · 8 episodes

Following the May 1968 civil unrest in France, two theater groups rehearse plays by Aeschylus while two solitary individuals wander the Parisian streets hustling the populace for cash.

1From Lili to ThomasRivette instantly establishes his playful, no-rules reality as two theater troupes rehearse avant-garde versions of Aeschylus plays climaxing in an epic, hypnotic warm-up exercise that unfolds like a primal, clothed orgy. We are introduced to a deadpan, deaf-mute busker and Frédérique, a wayward young con artist.
2From Thomas to FrédériqueThe outlines of a conspiracy begin to emerge as the busker begins receiving cryptic letters with references to Balzac and Lewis Carroll’s 'The Hunting of the Snark'. Meanwhile, rehearsals take an unsettling turn.
3From Frédérique to SarahThe mystery of the enigmatic notes deepens as the busker learns about their connection to Balzac’s 'History of the Thirteen'. Elsewhere, tensions flare up at rehearsals.
4From Sarah to ColinThe various strands of the story begin to intersect. The busker continues on his quest to uncover the source of the cryptic letters, while Frédérique is also inadvertently drawn into the conspiracy. Games—cops and robbers, chess, and cons—abound.
5From Colin to PaulineFrédérique finds that blackmail doesn’t pay as she crosses paths with the busker who is now in love with Pauline—or is it Emilie? Meanwhile, a wild goose chase through Paris ensues when one of the productions is fleeced out of money.
6From Pauline to EmilieMaps, symbols, codes, card games, and double meanings: the intrigue starts to accelerate.
7From Emilie to LucieCracks in the conspiracy begin to appear and things really start to get confusing.
8From Lucie to MarieAnd then the narrative implodes...

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